BARÇIN YİNANÇ
Opera, an integration tool for Turks in Germany?
Last week on Monday night, as I was in New York and as my hotel was near Times Square, I came across New York Metropolitan Opera's first piece of the season, Gershwins’ “Porgy and Bess,” which was broadcasted live from two giant screens in the square. As two black singers were performing, “It seems Met has become colorblind in its casting,” I said to myself. But in the next scene, which was performed at least by two dozen singers, there was not one single white person. I realized this was an opera performed solely by blacks.
October 02 2019