New 'Transformers' fails to energize the saga
LOS ANGELES
With the “Transformers” franchise clearly at a crossroads, its latest protectors have turned to their deep bench of characters. But just adding more robots won't transform this tired series.
“Transformers: Rise of the Beasts” returns the franchise to its galaxy-wide self-importance after taking a nice detour with 2018's smaller “Bumblebee.” There is a new cast of animal robots and a very evil enemy in the planet-eating Unicron, but they're not used right and the movie limps from fight to fight.
Directed by Steven Caple Jr., using a screenplay by Darnell Metayer, Erich Hoeber, Jon Hoeber and Josh Peters based on a story by Joby Harold, “Transformers: Rise of the Beasts” is a big swing that seems to portend a multi-film arc nestled in time after “Bumblebee” and before the first live-action “Transformers” movie.
The problem with “Transformers: Rise of the Beasts” is the same problem faced by all of the installments: Balancing the humanity with the metal. “Bumblebee” got the ratios right by bringing the machine down to size.
But a wide gulf between the humans and the giant space robots immediately appears in the new movie, with Optimus Prime being his classic, anal drill sergeant self - “If we are to die, then we will die as one," he'll intone. As the movie stutters on, the robots seem to soften only when the beasts show up for the last third - they mourn, get angry, feel protective, love even.
The filmmakers also have tried to bridge the divide with none other than Pete Davidson, who voices the juvenile robot Mirage, a wisecracking, fist-bumping silver Porsche 911 with a less rigid way of expression: “Don't mess with my boy!” and “Prime, you got to learn how to relax, my man.”
The special effects are astounding but sometimes numbing at the same time. The beasts, especially a nostril-flaring gorilla, are gorgeously realized and the baddies look cool as they control elements in space and time, like building sky walkways as they move on them.
Setting the movie in 1994 gives the filmmakers some vintage fun, like adding beepers and references to O.J. Simpson, plus a soundtrack including A Tribe Called Quest and LL Cool J. But even here they get stuff wrong, like using Biggie's “Hypnotize,” which came out in 1996, and having a character sing “Waterfalls” by TLC a year before it came out.
The Autobots are represented by Optimus Prime (voiced by veteran Peter Cullen), Bumblebee and Arcee (voiced by Liza Koshy). Then there are the Terrorcons, led by Scourge (Peter Dinklage), who controls swarms of horrifying insect robots and says things like: “Rip the flesh from their bones.”
On the puny human side, Anthony Ramos plays an ex-military electronics expert from Brooklyn named Noah, who has a sick younger brother - Dean Scott Vazquez, the best actor of the bunch - and is tempted to criminality to get him proper care. On his first heist, he accidentally gets into Mirage and, after an excellent high-speed chase, meets the rest of the Autobots.
Looking for the portal key, he meets Elena, played by Dominique Fishback, a museum intern with an astonishing ability to recognize everything from a fake Leonardo da Vinci painting to an Nubian sculpture even though she's never been outside New York. Soon she'll be roaming ancient tombs in Peru like Indiana Jones.
“Transformers: Rise of the Beasts,” a Paramount Pictures release, arrives in theaters today.
