New dimension to Jackson’s ‘Thriller’ and story behind it
“Michael and I always intended it to be seen in a cinema,” Landis told reporters on Sept. 4 at the launch of his new revamped version of one of popular music’s most influential and successful productions at the Venice film festival.
Using modern technology, Landis has remixed the sound and enhanced the visuals as well as making the 1983 recordings 3D compatible.
“When you watch in on YouTube, you don’t see how it is supposed to be. Now you can see the way Michael intended it to be,” Landis added. “My only disappointment is that he is not here to see it, because he’d love it!”
The 14-minute werewolf-themed video is screening in Venice alongside a “making-of” video that was also made in 1983 but has never had a cinema release before.
Jackson died in 2009, aged 50, not long after Landis and Thriller producer George Folsey had launched legal action against him over rights and royalties to the video.
A settlement was reached with Jackson’s estate in 2012, and Landis said the legal issue had not had any impact on the shock he felt on hearing of the singer’s untimely death.
“It was a tragedy - for his children, for his friends, for the whole world,” he said. “Truly great performers are rare. I was horrified and I am still upset about it.
Jackson approached Landis to make the video after watching his film “An American Werewolf in London,” telling the director he wanted to go through the same kind of transformation from man to four-legged wolf creature featured in the film.
“We realized it wasn’t going to work -- if Michael was going to dance, it would be a hell of a lot easier for his monster to have two legs instead of four,” Landis said.
As result, the look of the monster sequence in the video ended up being inspired more by a 1957 film, “I Was a Teenage Werewolf.”
“It turned out Michael had not seen too many horror movies -- he found them too scary,” Landis recalled.
“It was basically a vanity video because Michael wanted to turn into a monster and everything that came from that was spectacularly successful. I was totally surprised.”
Landis said the period was a happy time in the singer’s life, coming a few years after he had severed his ties with his family. “He would come over to my place and we would stay up til 4am watching cartoons.”
Things were different when Landis worked on another Jackson video, Black and White, eight years later.
“On Thriller he was happy to let me do it, on Black and White I was working for Michael. He was much more guarded.”